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Gallery Update: March events

We have updated the gallery with all of events that Elisabeth attended so far in March.

Premiere of ‘Us’ at the Paramount Theater during the 2019 SXSW Conference And Festival in Austin, Texas

– Mar 09: “Her Smell” Premiere at the 2019 SXSW Festival in Austin

Mar 08 : At the #TwitterHouse for a conversation with the cast of ‘Us’ during SXSW in Austin, Texas

Mar 10: 2019 SXSW Conference and Festival at the Austin Convention Center in Austin, Texas

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Elisabeth Moss drama ‘Shirley’ scores sales deal with cornerstone films

Deadline

Cornerstone Films has boarded director Josephine Decker’s (Madeline’s Madeline) psychological drama Shirley starring Elisabeth Moss as famed horror author Shirley Jackson with Michael Stuhlbarg (Call Me By Your Name) as her Bennington College professor husband Stanley Hyman.

Logan Lerman (Indignation) and Odessa Young (Assassination Nation) play the young couple that move in with Shirley and Stanley in the hope of starting a new life but instead find themselves fodder for a psycho-drama that inspires Shirley’s next novel. Above is a first look image.

Cornerstone will show first footage at the EFM next week. Paradigm and UTA are overseeing North American sales.

Shirley, which shot last year, is based on the screenplay by Sarah Gubbins (I Love Dick), adapted from the novel by Susan Scarf Merrell and was filmed in upstate New York, including at Vassar College. It is financed by Los Angeles Media Fund and produced by Jeffrey Soros and Simon Horsman (Juliet, Naked), Christine Vachon (Carol), Sue Naegle (The Ballad Of Buster Scruggs), Sarah Gubbins and David Hinojosa (First Reformed).

Heads of department include cinematographer Sturla Brandth Grøvlen (Victoria), production designer Sue Chan (Gone Girl), editor David Barker (The Reagan Show) and costume designer Amela Baksic (Wiener-Dog).

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Elisabeth Moss attends the SAG Awards 2019!
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Elisabeth Moss attends the SAG Awards 2019!

Elisabeth Moss attended the 2019 Screen Actors Guild Awards held at the Shrine Auditorium on Sunday (January 27) in Los Angeles.

The 36-year-old actress went glam in a cream-colored gown with a black belt as she stepped out for the awards show.

Elisabeth was nominated tonight for Outstanding Performance by a Female Actor in a Drama Series for her role in The Handmaid’s Tale. Unfortunately she didn’t win.

Moss was wearing a cream Monique Lhuillier gown, Jennifer Meyer jewelry, and Brian Atwood heels.

Check the pics in our gallery:

Appearances & Public Events > 2019 > Jan 27: 25th Annual Screen Actors Guild Awards

  

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Elisabeth Moss attends the Hulu’s Holiday Party!
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Elisabeth Moss attends the Hulu’s Holiday Party!

Elisabeth Moss was 2018 Hulu Holiday Party on Friday night (November 16) at Cecconi’s Restaurant in Los Angeles.

The Handmaid’s Tale attended the party alongside fellow cast mates Yvonne StrahovskiEver Carradine, Samira Wiley and Ann Dowd.

Other stars at the party included Joey KingSissy SpacekGregg Sulkin and girlfriend Michelle RandolphEliza CoupeHaley Joel OsmentJulian McMahonBrittany IshibashiAnnaSophia Robb, and Christopher Abbott.

Moss was wearing a Balmain dress, Stella Luna shoes, and Anita Ko jewelry.

Check the pics in our gallery:

Appearances & Public Events > 2018 > Nov. 16 │2018 Hulu Holiday Party at Cecconi’s Restaurant in Los Angeles

  

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The Kitchen first look: Elisabeth Moss, Melissa McCarthy and Tiffany Haddish feel the heat on set of 1970s Mob drama
Filed in Gallery Movies Stills & Posters The Kitchen

The Kitchen first look: Elisabeth Moss, Melissa McCarthy and Tiffany Haddish feel the heat on set of 1970s Mob drama

EW – On a muggy July day on Long Island, Elisabeth Moss is staring into a kitchen sink, but there’s nothing dull in the dishwater; in fact, there’s a lot of blood. Over her shoulder, Tiffany Haddish and Melissa McCarthy swig booze and tensely discuss the incident responsible. Abruptly, Moss turns from the clothing she’s trying to scrub clean of bodily fluids and snaps, “I’m not sorry Little Jackie is dead. Are you?

If you thought The Kitchen was a culinary comedy, since it stars two of Hollywood’s funniest actresses, you’d be grossly mistaken. Rather, the fall 2019 crime drama, set in Hell’s Kitchen and based on the Vertigo comic-book series, follows three 1970s housewives who — in the event of their mobster husbands’ incarceration — take Irish Mafia matters into their own hands, dealing with the competition more viciously and voraciously than anyone expected.

I was excited by the idea of placing women in a position and world in which we don’t normally see them,” first-time director Andrea Berloff told EW during filming, which features set pieces like a dated subway-car interior, an FBI surveillance van (sparse in gadgets by today’s standards), and a wood-paneled apartment adorned with Virgin Mary figurines and crucifixes.

The lure of exploring unfamiliar alleyways attracted the cast, too. “It’s about these individuals instead of the Mafia as an entity,” says McCarthy, who plays Kathy, a devoted mother of two whose initial reluctance to enter the criminal domain is eventually diminished by her deft abilities. “It was more about three people who are put down and held back finally breaking out. There was much more humanity to it, which also made it scarier.

Moss, whose character Claire starts out timid but grows to relish her new role as an outlet for her anger (evidenced by a scene in which she takes rapt interest learning how to dismember a bathtub-bound body alongside Domhnall Gleeson’s character Gabriel), agrees. “They’re nobody special necessarily,” explains the Handmaid’s Tale star, “but they’re people that have a story to tell.”

Their characters might not be out of the ordinary, but Berloff knew immediately that she’d brought together an exemplary group of actresses. “I wanted that excitement of women in a Mob movie to permeate through the casting, so I cast people you wouldn’t expect across the board,” she says. “If we’re defying stereotypes, let’s defy them all over. Who says women can’t run the Mafia? Who says comedians can’t do drama?

Indeed, upon first meeting Haddish, “it was clear she had incredible range,” Berloff says. For Moss, one Girls Trip scene in particular sold her on her costar’s versatility. “I’ve never even told Tiffany this, but you know that scene where you get into a big fight with everybody in the lobby?Moss says, leaning into Haddish affectionately. “I remember rewinding and watching it three times in a row — not because it was so funny, but because it was so real. I was like, ‘That is a f—ing great performance.’ I knew she was going to kill this.” Haddish shrugs and smiles, “There’s a lot of layers to me.

The Night School actress plays Ruby, an outsider in an Irish community who seeks self-sufficiency once her husband isn’t around to protect her. “Ruby starts off quiet and observant, and then gets a little bossy and gangster,” says Haddish. “She has a plan; she’s just figuring out how to execute it. Who do I team up with? How do I get to the money, power, and success that you need in life?

The racketeer lifestyle doesn’t mean there aren’t moments of levity in the film (much appreciated after witnessing a scene in which a femur is snapped with a sickening pop), but the set atmosphere between takes is decidedly more playful. The girls tease Moss about her banana chip addiction, and at one point the trio dream up their own sitcom. “It’s a 16-camera dramedy,” says McCarthy. “It takes place underwater, is primarily with animals and babies, and shoots somewhere in New Zealand.” Adds Haddish, “We’ll be taking calls.

Maybe it’s not so outlandish an idea. The Kitchen argues that female collaboration is not to be underestimated. Berloff hopes that message will be among the movie’s main takeaways. “It’s about empowerment — but not just female,” she says. “Anyone can do anything. Everyone has a beast within them. We shouldn’t be hemmed in by society’s definitions of us.” Perhaps a woman’s place is in The Kitchen after all.

The Kitchen hits theaters Sept. 20, 2019.

Check the pics in our gallery:

Movies Productions > The Kitchen > Production Stills

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Elisabeth Moss attends ‘Her Smell’ Premiere at New York Film Festvial
Filed in Events Gallery Her Smell Movies

Elisabeth Moss attends ‘Her Smell’ Premiere at New York Film Festvial

Elisabeth Moss attended the premiere of Her Smell on September 29, at the Alice Tull Hall at Lincoln Center in New York City.

The 36-year-old actress went glam in a sparkling silver dress as she premiered her new movie at the 2018 New York Film Festival.

Also stepping out the premiere included director Alex Ross Perry and fellow cast mates Gayle Rankin and Eric Stoltz.

In the movie, Elisabeth plays Becky Something, a “maniacally destructive punk rock star who pushes her relationships with bandmates, family, and followers to the limit as she wages a years-long war against sobriety while attempting to re-engage the creativity that had once led her band to massive crossover success.

Her Smell doesn’t have an official release date yet.

Elisabeth was wearing a Dior dress, Giuseppe Zanotti shoes, and Jacob & Co. jewelry while carrying an Edie Parker clutch.

Check the pics in our gallery:

Appearances & Public Events > 2018 > Sep. 29│ 56th New York Film Festival – ‘Her Smell’ – A&Q

Appearances & Public Events > 2018 > Sep. 29│ 56th New York Film Festival – ‘Her Smell’

  

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Elisabeth Moss attends the Emmys 2018!
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Elisabeth Moss attends the Emmys 2018!

On September 17, Elisabeth Moss attended the 70th Emmy Awards held at the Microsoft Theater on Monday in Los Angeles.

She was nominated for the Lead Actress in a Drama award. Claire Foy was the winner.

Moss was wearing a black dress by Vera Wang with Christian Louboutin shoes and Harry Winston jewels.

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Appearances & Public Events > 2018 > Sep. 17 │ 70th Emmy Awards

Appearances & Public Events > 2018 > Sep. 17 │ 70th Emmy Awards – Show

  

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Elisabeth Moss celebrates her cover at ‘Los Angeles Confidential’ pre-emmys party!
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Elisabeth Moss celebrates her cover at ‘Los Angeles Confidential’ pre-emmys party!

On September 16, Elisabeth Moss was joined by castmates Ann Dowd and Kelly Jenrette to celebrate their 2018 Emmy Awards nominations, as well as her “Fashion + Emmys Issue” cover of Los Angeles Confidential, at Kimpton La Peer Hotel on Sunday night in Los Angeles.

Elisabeth was looking stunning in a sparkling blue mini dress by Tommy Hilfiger.

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Appearances & Public Events > 2018 > Sep. 16 │ Los Angeles Confidential Emmys Celebration hosted by cover star Elisabeth Moss

Photoshoots & Portraits > 2018 > 16 Sep | Portrait Session for Los Angeles Confidential

  

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Elisabeth Moss and Alex Ross Perry challenge themselves and the audience with ‘Her Smell’
Filed in Articles Gallery Her Smell Interviews Movies News Photoshoots

Elisabeth Moss and Alex Ross Perry challenge themselves and the audience with ‘Her Smell’

LA Times

This year’s Toronto International Film Festival has an unexpected onslaught of movies centered around female singers. There’s the splashy “A Star Is Born,” starring Lady Gaga, the headier “Vox Lux” with Natalie Portman, the rootsy “Wild Rose” featuring a breakout turn by Jessie Buckley and the yearning “Teen Spirit,” with Elle Fanning.

And then there is “Her Smell,” a wild, churning character study like no other starring Elisabeth Moss as Becky Something, the leader of a fictional ’90s rock group called Something She.

Just like its lead character, the film is aggressive and purposefully obnoxious. It more or less dares an audience to live through its forceful, unrelenting energy — and the self-destructive, pushy pitch of Moss’ performance — for most of the two-hour-plus running time to ultimately get to a place of serenity, self-knowledge and grace.

The movie is the third collaboration between Moss and writer-director Alex Ross Perry, following the literary romantic roundelays of “Listen Up Philip” and the female-centric psychodrama of “Queen of Earth.” The award-winning star of “Mad Men” and “The Handmaid’s Tale” may seem an unlikely fit with a low-budget filmmaker specializing in caustic examinations of discontent, but they have forged one of the most energizing partnerships on the current indie scene.

It just kind of works for some reason,Moss said. “Obviously there’s a really basic thing which is like we both want to make not only good films but films that haven’t been done before — films that we haven’t done before. We both really wanted to challenge ourselves, particularly with this movie.”

Her Smell” had its world premiere Sunday night as part of the Toronto festival’s Platform section. Perry’s film brings an outsized ensemble into Becky’s vortex of bad vibes, including Becky’s bandmates played by Agyness Deyn and Gayle Rankin, a younger band played by Cara Delevingne, Ashley Benson and Dylan Gelula, a pop-star rival by Amber Heard, a record executive by Eric Stoltz, an ex by Dan Stevens and Becky’s mother by Virginia Madsen.

And though the inspiration for Becky Something in “Her Smell” would presumably be the world of ’90s rock figures such Courtney Love of Hole, Kim and Kelley Deal of the Breeders or riot grrrl-era bands such as Bikini Kill, L7 or Sleater-Kinney, according to Perry, the film instead found its main impetus in the recent Guns N’ Roses reunion tour — and in the structure of Shakespeare.

If you can make it so I’m a little bit struggling, just on the edge of being like, ‘I don’t know if I can do this,’ that’s what I want.

In summer 2016, Perry saw a Guns N’ Roses reunion concert, a production of “The Merchant of Venice” featuring his “Listen Up Philip” actor Jonathan Pryce, and Kenneth Branagh’s four-hour screen adaptation of “Hamlet.” Something clicked watching the rise and fall of Shakespeare’s characters.

 “I can see how it would seem unusual,” admitted Perry, who also co-wrote this summer’s Disney hit “Christopher Robin,” in an interview alongside Moss here this week.

I’d been kind of promising Lizzie this script for a while just saying I have this character and I know her name and then a year passed and then this month happened. At the end of it I said, I know this movie now,” said Perry. “And then six months later I had a script.

Moss ended up with only a week between the end of shooting the second season of “Handmaid’s Tale” — for which she has subsequently been nominated for two Emmys ahead of next week’s ceremony — and the start of production for “Her Smell.”

Becky speaks in a wild, nonstop patois all her own, a raging torrent of words, which combined with an abrasive demeanor made the character uniquely difficult even for a performer as experienced as Moss

It was hard. It was one of the only things I’ve done that wasn’t always fun,Moss said.

Because I do a lot of really dark, challenging material, if you can challenge me at this point, you get such a really big gold star from me,” she said before pausing. “I’m trying to word it without sounding egotistical, but if you can make it so I’m a little bit struggling, just on the edge of being like, ‘I don’t know if I can do this,’ that’s what I want. I want you to put me in a place where I’m not sure if I can do it. That’s interesting to me.

In preparing for the role, Moss tried to borrow from a range of inspirations, so that the character couldn’t be too closely tied to any one person. She watched documentaries on Marilyn Monroe, and studied people across the spectrum of fame for how they grappled with addiction.

And just as there are multiple female pop-star movies at TIFF this year, there are also numerous films dealing with addiction, including “Ben Is Back,” starring Julia Roberts and Lucas Hedges, and “Beautiful Boy,” with Steve Carell and Timothée Chalamet. Yet despite Becky’s appetites for any substance she can get her hands on, Perry says his film is not a story of addiction.

Honestly, if I’m being serious, the thing I say is the movie is about identity,” said Perry. “It’s not about nineties music. It’s not about the dynamics of a band. It’s not about celebrity and not about motherhood, it’s not about addiction, it’s about identity. Simply put, this is a movie that has nine characters, all of whom live their lives with a name that is not their name. And that, to me, is the movie.

The style of the movie is deliberately extreme — from the churning, disorienting sound design to Becky’s abhorrent behavior. A negative review in the Hollywood Reporter called the film “excruciatingly self-indulgent” as well as “ugly and off-putting.” Even a positive notice in IndieWire referred to it as “obscenely unpleasant.”

For Perry, delivering the first three acts as a full-on whirlwind is purely intentional, designed to take people well past a conventional breaking point.

I think in a punk movie about punk women, you want that adrenaline,” Perry said. “The characters give you license to make a movie that just goes and goes and goes and goes. It goes like cocaine. It goes like electricity plugged into an amp. It goes like a neon sign buzzing for three acts. And to me it’s an appropriate thing based on what the movie’s about and what the characters are.

“It’s also just a gigantic challenge that I wanted to do both on the page and then an even bigger challenge on set,” Perry said. “I, as someone who’s very low-key and fairly lazy — can I make something that has a relentlessness to it?

Moss herself had a revelation about the movie while watching it for the first time on a big screen in Toronto.

This film is not her point of view. It’s from the point of view of the other people,” said Moss. “It puts you through what Becky put those people around her through. It is in-your-face. She is annoying. It can be off-putting. It’s a lot. You just want to take a … break. You’re also kind of drawn to her and want to know where she is. You’re looking for her when she’s not there. It puts you through what the people around her go through.”

Late in the movie, Moss performs a spare, heartfelt rendition of Bryan Adams’ “Heaven” at a piano for just her young daughter in a startling, single unbroken take. After all that Becky and the movie have put audiences through, both Moss and Perry say that reaching that catharsis is the point.

I felt like that’s the movie,” Perry said. “If we can get people there — it’s literally the last thing in the world you would expect to happen in this movie after the first hour. So therefore we’ve got to do it.

Check the pics in our gallery:

Photoshoots & Portraits > 2018 > Pep. 9 | TIFF

  
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Elisabeth Moss attends ‘Her Smell’ TIFF Premiere
Filed in Events Gallery Her Smell Movies

Elisabeth Moss attends ‘Her Smell’ TIFF Premiere

Elisabeth Moss attended the premiere of Her Smell during the 2018 Toronto International Film Festival on Sunday (September 9) in Toronto, Canada.

The Emmy-winning actress was joined at the event by co-stars Amber HeardAgyness DeynGayle Rankin, and Dylan Gelula, as well as writer-director Alex Ross Perry.

Moss was wearing a vintage Alaia dress, Christian Louboutin heels and Jennifer Meyer jewelry at the premiere.

Check the pics in our gallery:

Appearances & Public Events > 2018 > Sep. 09 │2018 Toronto International Film Festival – “Her Smell” Premiere

  

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